新浪潮的一些鏡頭調(diào)度還是有點奇怪的但這并不妨礙觀影過程三人在橋上奔跑的瞬間還有在屋子里唱歌的場景美得叫人難忘 You got a fast car,but is it fast enough so you can fly away? You gotta make a decision. You leave tonight, or live and die this way.
提爾在初段的故事最貼近實際也最能打動人:No one of you has the right to condemn Bess to the hell! 艾米麗所演出的形象在神經(jīng)質(zhì)中脫俗于世她對愛情的信仰更顯得世俗宗教權(quán)力的虛偽與冷漠很難相信這竟是艾米麗的處女演出——笑的時候她像純潔的天使哭的時候她像無助的惡魔